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The Synth-Pop Duo's Creative Genius Dave Ball Dies, at the Age of 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (left) created Soft Cell alongside Marc Almond in Leeds in 1977

The talented musician, one half of the pioneering 1980s synth-pop duo Soft Cell, has passed away at the age of 66.

Together with vocalist Marc Almond, the pair achieved a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is considered a seminal work of synth-pop.

He subsequently formed the innovative electronic act The Grid, who achieved popular acclaim with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his home in London on Wednesday 22 October, only a short time after performing a featured performance with Soft Cell at the Rewind Festival in Henley-on-Thames.

Recent Health Challenges

At that show, Ball appeared in a wheelchair, as he had for the last two years, following a spate of health issues.

"I managed to damage myself quite a bit," he commented in a recent interview. "I broke lower vertebrae in my back and fractured about five ribs and fractured my arm."

Following catching pneumonia and suffering from sepsis, he was put in an induced coma and remained in the hospital for seven months.

Nevertheless, he had been in "high spirits mentally" during the summer, as he was developing a fresh record with Almond, titled the upcoming Danceteria, which is set for release next year.

"He was concentrated and very pleased with the latest project that we actually completed only a short time ago," said the singer in a heartfelt message.
"It's so sad as next year was all set to be such an uplifting time for him, and I find comfort from the fact that he heard the completed album and felt that it was a great piece of work."
Soft Cell performing in the early 1980s
The band were at the vanguard of the synth-pop movement in the early 1980s

Tributes

Almond referred to his collaborator as "an exceptionally talented musical genius", stating: "He was the core essence of Soft Cell and I'm very proud of our body of work.

"Thank you Dave for being an significant aspect of my life and for the music you gave me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, shared his condolences, recalling Ball's "endless laughter" and "steadfast support".

"Forming a partnership with someone is distinct from being in a group, the connection is incredibly close," he continued.
"That's how it was with us. We went through so many remarkable, extraordinary, life-affirming moments as a team. Thank you, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in 2018

Formative Years

Born into a one-parent family in the city of Chester in 1959, Ball was given up for adoption when he was 18 months old.

He grew up in the seaside town with his new family his caregivers, who changed his given name from Paul to David, alongside his younger sister Susan, who was also adopted.

He met Almond at an art college in 1977, where they were both studying art. Inspired by a shared love of a music genre, they formed Soft Cell the very year, and promptly produced an EP.

Creative Collaboration

The pair were an distinctive combination: Ball was the quiet technician, hunched over his keyboard, while Almond was a flamboyant performer, all sparkle and eye-liner; but they achieved a rare creative synergy.

Ball had developed a interest with electronic instruments after watching the band Kraftwerk perform on BBC science show Tomorrow's World, and began to combine dark electronica to the catchy tunes Almond was composing.

Their signature song became the United Kingdom's second biggest-selling song of 1981, selling 21 million copies worldwide. Alongside successful tracks by Gary Numan, contemporary bands and electronic acts, it helped cleared the way for the electronic music style of the 80s.

The song was also included on their first album, their initial LP, which spawned two further top five singles: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the stand-alone single, Torch, which peaked at number two in the following year.

Soft Cell in the studio
The duo were working on fresh songs right up until Ball's death

Professional Journey

Success had its upsides. "I enjoyed being able to afford my initial property, having financial security and exploring, which makes me sound like a Miss World," Ball not long ago shared with a publication.

But it also presented problems. "Newfound wealth allowed we could purchase newfound drugs to alleviate the boredom" of press appearances and television shows, Ball explained.

"I realize that's a cliché, but it's a cliché for a valid cause, because it works for so many bands."

During the party-filled existence, the pair were also growing distant, but they managed to produce a follow-up classic album - the wayward, edgy and fittingly named The Art Of Falling Apart.

They released one more album, their 1984 release This Last Night In Sodom, before ending the group to concentrate on other projects.

Almond went on to have a prosperous individual path, featuring the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who mixed acid house with melodic sounds over a enduring collaboration.

Later Work and Comebacks

Soft Cell came back together in 2001, releasing the Top 40 record Cruelty Without Beauty.

Following another break, they reappeared in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before performing what was intended to be a final performance at the O2 Arena on 30 September, that year.

However, they stayed together, recording their latest project, Happiness Not Included, during the pandemic Covid lockdown.

Ball recently characterized the band's upcoming release as a homage to the NYC nightlife they frequented while recording their first two albums.

He noted that his period in hospital had influenced the group's music.

"I experienced unusual memories when I was in and out of the hospital because I was on pain medication," he told a publication.
"Our latest tracks are a electronic representation of the sounds in my mind from that time.
"In parallel, it's about the experiences we had in the 80s."

The last versions were completed only days before Ball died. It is due for launch in Spring 2026.

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Jennifer Jackson

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